In a festival that's boasted such fine music docs as "Lou Reed's Berlin" and "Playing for Change: Peace Through Music," along with an appearance from Madonna to promote the non-musical Malawi doc "I Am Because We Are," Tribeca has also turned out to be a place where musicians put down their instruments and pick up scripts. Though acting is nothing particularly new for either Mariah Carey or Dave Matthews, the two have taken on supporting roles in the low-budget films "Tennessee" and "Lake City," respectively, both in this year's line-up. Here's a look at how they measured up.

October 31st, 2008

Reflecting on death of sax player LeRoi Moore, he says: 'that will change everything'

By MELISSA RUGGIERIMUSIC CRITIC

Last week, Dave Matthews was passionately engaged talking about politics and his reason for hosting Sunday's "Last Chance for Change" concert at VCU's Siegel Center.

But, while his political convictions are the timely topic, Matthews hasn't forgotten his day job as a musician. (If you missed our exclusive interview with Matthews over the weekend, visit www.inrich.com and search for 'Dave Matthews.')

As the frontman for the band that bears his name, Matthews often has the spotlight directed on him, despite being one of the most unassuming characters in one of the industry's most consistent bands.

But this summer, the resolve of the Dave Matthews Band was tested with LeRoi Moore's ATV accident that, two months after it occurred, led to his shocking death.

Reported by Christina Mora

For the sixth year in a row, a member of the Dave Matthews Band is giving Charlottesville schools a $75,000 boost. Boyd Tinsley graduated from Charlottesville High School in 1982. His donation goes towards the orchestra programs, tennis programs and academics at Charlottesville High, Walker Upper Elementary and Buford Middle schools.

Watch the NBC 29 Charlottesville new Report.

By ALEX VEIGA – Sep 27, 2008

LOS ANGELES (AP) — Dave Matthews has acted in a few films, but the Grammy-winning musician has been playing a behind-the-scenes role in Hollywood of late — that of film producer.

The singer of his namesake band co-founded ATO Pictures and has served mostly as a silent partner. But in the company's latest film, "Choke," the musician was adamant that ATO do more than help finance the film.

"I felt very strongly about us being connected to the project. ... I loved the script," Matthews told The Associated Press during a phone interview Friday before performing with his band in the Brazilian city of Manaus.

"Choke," which was released Friday by Fox Searchlight Pictures, is an adaptation of a novel from "Fight Club" author Chuck Palahniuk.

Tim Reynolds - Ace in the Hole
By Chad Berndtson

Fall 1998 remains my all-time favorite Dave Matthews Band tour—the band at its creative zenith with, to these ears, its best studio album (Before These Crowded Streets) just out, and blowing the roof off of arenas every single night with setlists that on paper looked short only because every song was a multi-layered jamfest. There were possibilities untold and musicianship unbound, and the DMB backlash among those in and outside the jamband community were not yet palatable.

No coincidence, perhaps, that the Flecktones were the opening act and nightly collaboration foil—and that Dave's longtime guitar-slinger pal Tim Reynolds was tearing it up as a full-time touring band member. There are still great DMB shows to be seen in 2008, sure, but night after night of all those expansive '98 readings of "#41" "Jimi Thing," "Minarets," "Crush," "Lie In Our Graves"—I’m not sure the band has ever been that daring.

To see the inscrutably exciting, relentlessly inventive Reynolds on tour with Dave Matthews Band full time again this summer, 10 years later, is a little jarring—and a little nostalgic. Jarring, perhaps, because DMB at present is a touring lineup that includes Reynolds, trumpeter Rashawn Ross and Flecktones sax ace Jeff Coffin, but no Butch Taylor, and, disquietingly, no LeRoi Moore, who continues his hospitalization and recovery from a recent ATV accident. But times of internal band challenge can also yield some really unique nights on tour–and having had a listen to some recent bootlegs, here's thinking 2008 will stand as the most adventurous and remarkable DMB tour in at least five years. Certainly one of the most exciting, and just wait til Roi gets back.

Reynolds himself is having a banner year. After years of solo tours and spot projects, he's not only back in the spotlight with DMB but has revived TR3 (if not former members) in a new configuration. The new TR3 formed with bassist Mick Vaughn and drummer Dan Martier shortly after Reynolds moved to North Carolina's Outer Banks from New Mexico in 2007, and as he told us in a recent interview, there'll be plenty more from them in the near future, too.

Read The Full Interview

By Mark Brown - Rocky Mountain News

It's an uncertain time for Dave Matthews Band fans. Longtime keyboard player Butch Taylor recently left the band. Saxophonist LeRoi Moore had an accident on his ATV in late June, breaking ribs and more, which forced a sudden, indefinite exit from the band (Jeff Coffin of Bela Fleck's band is standing in). The recording of a new album is only partially complete, with no release date in sight, three years after the release of Stand Up. Matthews continues to be grateful to the Colorado music scene that gave the band its first toehold outside the East Coast, as evidenced by the Red Rocks stands he's played and his willingness to headline the first Mile High Music Festival. The self-effacing Matthews sat for a long telephone interview with Rocky pop music writer Mark Brown about the state of the band and his life, ending with a good-natured "Thanks for putting up with me."

Read the Full Interview

by Troy Reimink | The Grand Rapids Press

There's no question that for three hours, Dave Matthews was king of Rothbury. His was the first major set to stand alone at the festival. All stages remained silent in his honor, and all 40,000 peasants in the kingdom gathered to rejoice.

Well, not peasants exactly, but after three days and not many very many showers, it's beginning to smell that way.

Good old Dave, with music as hard to dislike as it is easy to like, and even easier to not muster strong feelings about whatsoever. But that's just me. Dave's band is, of course, endlessly proficient (especially with Tim Reynolds joining him on guitar), and he's done as much as anyone to bridge the occasionally incongruous worlds of jam culture and popular rock.

So in that capacity, he's a perfectly suitable choice as Rothbury's inaugural headliner. Something almost everyone can agree on. Bets do not get safer.

Dave's marathon set was normal by his standards. Or maybe it wasn't, what do I know? If I closed my eyes and imagined what a normal Dave Matthews set sounded like, it would be exactly like the one he played at Rothbury. Which is to say loose and improvisational, with a set list that provided concessions to hardcore fans, as well as the rest of us.

The recent news that LeRoi Moore, Dave's longtime sax player, was seriously injured in an ATV crash led to a bit of uncertainty about the show, but with a fill-in as high-caliber as Jeff Coffin (of Bela Fleck and the Flecktones), there was obviously nothing to worry about.

"Seek Up" opened the show. "Satellite" came fairly early on. Ah, "Satellite," with that sneaky little riff that every college guy with an acoustic guitar can play in his sleep. I was that dude once. Tried it on the ladies. Didn't work.

There was also "Tripping Billies." And "Jimi Thing," jammed out ceaselessly into the night. And a cover of Peter Gabriel's "Sledgehammer." Good stuff, all of it executed flawlessly. "So Much to Say" and "Ants Marching" rounded out the greatest-hits portion of the night. Not surprisingly, the set emphasized his poppier, more fully arranged songs that lended themselves better to the big-band treatment, though this meant the more interesting portions of his catalog were ignored (like the bulk of "Before These Crowded Streets," my vote for his best record).

No "Crash Into Me," however. Sorry, guys, but if you've made it this far into Rothbury without getting any love, not even Dave Matthews can help you.

So there you have it, the biggest show of the biggest event on Michigan's summer entertainment calendar. From here we coast through Sunday and, after that, into a hot shower.

By BRIAN McCOLLUM

The 15-year mark is a crucial point in the life of a rock act.

It's the stage when a veteran band can slip into contentedly running through the motions, or decide it's going to stay on its toes and keep challenging itself.

For the Dave Matthews Band, says bassist Stefan Lessard, opting for the latter is a no-brainer.

It was spring 1993 when the Southern college band settled into its permanent lineup, preparing to issue its first record as it began the wild journey into national fame and eventual status as one of the world's top touring draws. Fifteen years later, it's all still electric for Lessard, drummer Carter Beauford, violinist Boyd Tinsley, sax man LeRoi Moore and the band's singer-songwriter namesake.

"This band is kind of a living, breathing organism," says Lessard in advance of the band's Monday show at DTE Energy Music Theatre. "We're constantly morphing into different shapes and sounds. We don't really aim to sound one particular way or have one particular type of show. We just let it happen as it happens. It's very much in the moment."

The ever-evolving DMB story has entered a new chapter: Back on the road with the band is guest guitarist Tim Reynolds, a close confederate of Matthews who played with the band during the late '90s. Most notably, the group inaugurated a recording partnership last year with producer Rob Cavallo, best known for his work with Green Day and My Chemical Romance. Sessions have begun for the follow-up to 2005's "Stand Up," the band's latest chart-topping, pop-savvy fusion of rock, funk, jazz and world music.

As other '90s bands have fluttered off to the fringes -- back to playing small venues or linking up for retro package tours -- DMB remains vital and relevant. The group sold more than 831,000 tickets in the United States last year, according to Pollstar magazine, placing it behind only the Police, Kenny Chesney and Justin Timberlake. That's a standard sort of feat for the group: Dave Matthews Band is widely regarded in the concert industry as the contemporary act with the most dependable box-office draw.

The Dave Matthews Band is emphasizing the "band" part of its equation on the group's next album. "It literally was a collaborative effort from beginning to end," violinist Boyd Tinsley tells Billboard.com. "Every song was written by everybody at the same time -- we've never really done that before."

"We all got together and played and got these ideas, and we'd all work through building these songs all together," he continues. "Everybody's just really excited about it. That's why I say it sounds very much like DMB. It couldn't be more purely DMB than what it is."

But the album, DMB's first since 2005's chart-topping "Stand Up," is a long way from done. The group, along with guitarist Tim Reynolds and producer Rob Cavallo, got together early in the year in Charlottesville, Va., to start working on ideas, then in March continued in Seattle to be closer to Matthews' home.

Tinsley says the songs have been composed and are now waiting for Matthews to write lyrics, with a plan to return to the studio after the group comes off the road in early September.